The first chapter examines legal and popular representations of husband-murder, which was defined as "petty treason," which was a crime against civil authority. The author argues that the fictions in the courtroom, on the stage, and on the street attempted to restore the order threatened by wifely insubordination. The second chapter continues the discussion of petty treason, extending it to the relations between masters and servants. It investigates the likeness between the two kinds of dependents, wives and servants, and the two kinds of petty treason, husband-killing and master-killing, examining how legal and literary narratives of petty treason worked to subordinate the story of the rebellious dependent within social and literary structures. Around mid-century, pamphlets and ballads shifted their focus from insubordinate dependents to the murderous husband, depicting his abuse of authority as petty tyranny. The third chapter traces how this relocation of domestic threat corresponds to the suspicion and circumscription of authority that builds from the Civil War, through the Restoration, to the 1688 Revolution. The fourth chapter focuses on how dramatizations of infanticide and infant abandonment participated in a complex cultural process that displaced blame for abuse and neglect of children onto poor, unmarried women. The final chapter examines witchcraft as another kind of domestic crime, as it shows how the tensions within families, especially stepfamilies, could be displaced and negotiated through accusations of witchcraft. Chapter footnotes and a subject index